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RML's 3 Steps to Presenter Training SUCCESS

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It's important to play songs that have already been recorded rather than attempt to sing each song on the playlist live on air. (Laughter) (Mouth bass) ♪ ran out the door to get her ♪ Artists put a lot of Artists put a lot of effort into writing AAAAAAARRRRGGGGGHHHH Can we wrap this up? No. We've got a script to get through, we're going to get through it. - F*ck you. - Just read it dude, it's not hard. (Ripping sound) Can you imagine if I did that? (Ripping sound) Imagine if I f*cking (ripping sound) the script? - What do you want from me? - The script. Artists put a lot of effort into writing, recording and distributing their music and we should probably honour this from time to time, cue laughter - Keep a radio text book close at hand - It's funnier if you read it like here. - Oh yeah, yeah true. Keep a radio textbook close at hand so that you can explain the rationale behind the things that you are doing as you do them. Why are you um, shouting? Now you say 'Welcome to my guest Kevin Parker, how are you?' Kevin Parker... who's that? Alright, welcome to my guest Sir Kevin Parker, how are YOU? - Great to be here Bernie, I'm - - Now I placed emphasis there on the "you" to display a personal interest and thus establish a rapport with my interview subject as per 'Making Radio' 3rd edition. (Hectic guitar slide) Don't be afraid of "um" and "like" Professors of radio the world over will tell you it's important to eliminate filler words such as "um" and "like" from your vocabulary if you want success in the industry but pardon my French - that's a bit of bulldust. ♪ um, like ♪ ♪ uuuuuuuuuuuuum ♪ ♪ like, um, like ♪ ♪ like like ♪ "Um" and "like" will make you relatable as well as develop... the tone of your facial... muscular... necessary for a long career in radio and beyond. Bart, you could probably edit that. - Is that enough space? - Yeah, that's good.
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